Every actor of theater should have its own training to address the demands of performance and adjust their muscle most needed; creativity.

The idea of ​​theater

The theater is ideologically prodigious space for the encounter of culture and imagination of privileged people, the actors, those interested in the artistic movement of a city, the spectators, some separate beings of the Arts scenic relates to the performance and forms of lying, there are those who dare to say that theater is a building of public usefulness. Always was, is and will be a research site for the creation of new ways to express some ideas of directors or a group . In this contemporary world is focused this stage work groups to research on the role of the actor and his training, always in search of the acquisition of new psychological and physical techniques, fused with the study itself, the character.

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It is the actant who tries to recreate on stage the personality of this being created by the author, to achieve its objective the actor must have mental and physical agility, found in individual training or acquired by a group of artists, once prepared its instrument scenic , her body and voice, relying on trial and error to get along creatively in any situation. in clear that the actor’s body ended up a sculpture in space, to communicate needs to an escalation in its movement and immobility, a musical silence, be aware that it is a machine within a scenic scenic device, creates a set of lines and surfaces, volumes and empty spaces, some tools for exploring those acting human potential and turn them into a character in a great stage show .

Besides this you can find your own text to the text, using the physical and mental flexibility infinitely interesting at the time of creation, in the actor-audience meeting and personal encounter on the job acting and the game continued with this flexibility, almost always gets a little more complex because you need to know of human psychology, disorders, reactions, etc. passions., for character creation and work to get through the actor’s skill , the wealth of scenic language and verbal languages ​​and nonverbal.

A rigorous training

Based on exercise, fitness and rigorous discipline among other qualities that develops theatrical practice, the creators discovered using repeat a knowledge, and teamwork to rediscover, in a constant search beings, actants and those who want to give their point of view using his imagination as a tool and the power of the word as a message, want to make a connection between the poetic and grotesque, between body and mind. Create from there more aware rigorous training that has been present in many theater groups, which for years was questioned by some teachers of Arts and applauded by others, however, as no doubt is in the has had considerable impact on contemporary theater.

Let’s talk about theater as a holiday ritual that must involve actors and spectators in a total experience, being the actor who must do their best because it will present and defend their staging, which reveal some essential aspect of human existence . Spectator and actor, stage and hall, are a unit, offers a pictorial conception of the staging, in which actors should be highlighted, create genuine realities on stage, having built his life and his role as a major hub in the rhythmic movement of his body in space, because the actor’s art has origins in the dance, and both the ancient Greek theater and in the eastern theater, the theatrical text has the character of a musical score: it has a rhythmic structure and so must be interpreted by the actors.

Thus the rigorous acting training becomes the perfect tool to make the actor is living always new worlds on stage and making them visible to the public, then we can talk about real human actors in their thinking, their actions on tables and in their daily lives, to achieve a union between reality and fiction can become the reality .